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Just now it is blowing softly, delicately, as though its fury of the night before had been an hallucination of the brain. It is "a sweet and passionate wooer," says Longfellow, and lays siege to "the blushing leaf." There are no leaves for it to kiss to-day: so it bestows its caresses upon Mona as she wanders forth, close guarded by her two stanch hounds that follow at her heels. "Yes,—better than all the women I ever met," corrects Mona, but without placing the faintest emphasis upon the word "women," which omission somehow possesses its charm in Rodney's eyes. She tucks up her dignified train in a most undignified haste, while Geoffrey covers up all the finery with the crimson shawl. The white cloud is once more thrown over the dainty cap; all the pretty coloring vanishes out of sight; and Mona, after one last lingering glance at Geoffrey, follows its example. She, too, flies across the rural bridge into the covert of her own small domain. It strikes Geoffrey as part of the innate sweetness and genuineness of her disposition that, after all the many changes of thought that have passed through her brain on their return journey, her first concern on entering her own doors is for the poor unhappy creature in the cabin up yonder..